£569.00 (1) ... Jazzmaster pickups are often called 'Soapbar' pickups due to their wide apprance. That means the lower controls—the Volume and Tone pots and three-way toggle—function as you would expect. It’s probably going to be snappier with more pronounced transients and treble—and that’s just the bridge! The diagram below shows how to incorporate the PTB tone stack into the initial diagram. If you have more tips and techniques for getting the most out of your Jazzmaster, let us know in the comments. Local Pickup Only. In this case, we were doing the opposite: trying to make the pickup sound like it was installed in an old guitar. So nobody is surprised that the manufacturers are picking up the old design blueprints and updating them, re-releasing […] Putting it all together, this wiring diagram combines all three mods: dual volume controls, a PTB tone stack, and series/parallel switching. Make an Offer. After all chasing our tails over pickup design, trying to somehow make something that sounded different than what we’d already been making for years – to no avail – we discovered that our standard Jazzmaster pickup was already a winner. Fender's legendary offset electric guitar models have attracted some maverick players since their inceptions in 1958 (Jazzmaster) and 1962 (Jaguar). For instance, the Fender Classic Player Jazzmaster might look stock, but it actually does have P-90 pickups hidden beneath Jazzmaster covers. Typical pot values used for passive guitar volume and tone controls range from 250K to 1Meg. In the third sample, both pots have been rotated almost fully counterclockwise. Check out the following three sound samples. We have spent countless hours listening to different pickups and guitars listening to almost indistinguishable differences and over the years a number of us have developed our ears to the point we can hear trivial details. Take a look at the stock Squier Vintage Modified Jazzmaster. Lots of players have a hankering for a Jazzmaster—and a limited budget shouldn't stand in the way. Magnetic pickups only work when certain metals vibrate within the magnetic field.” That’s mostly true; but you can talk into a pickup with a loose coil and hear your voice – but there is something else going on that some people miss… Imagine if it were possible to use a piece of foam rubber for the guitar body. For a complete rundown on this guitar and Jazzmasters in general, look at this old blog post in three parts: According to the folks at Fender, this Jazzmaster was one of three pre-productions guitars made for the 1959 NAMM Show. Comes with upgraded Fender American Vintage Jazzmaster pickups and Fender American professional 9.5 inch radius bridge. The curious shape of the Jazzmaster initially came about because of Leo Fender's desire to attract top-shelf East Coast jazzers, who typically preferred to play sitting down. 99. Loading ... Fender Classic Player Jazzmaster vs Squier J. Mascis Jazzmaster Comparison - Duration: 9:17. In traditional Jazzmaster wiring, when the two pickups are combined via the toggle switch, they are in parallel. The smaller the capacitor value, the more pronounced the bass cut. This seller is open to offers. There’s plenty of flexibility with component selection for the treble-cut control, but I prefer to stick with the standard values used on the primary tone pot in vintage Jazzmaster wiring, namely a 1 meg audio taper pot with a .033 MFD capacitor. That said, it's absolutely worth getting professionally set up if you plan to use the original system. Many variables are combined that result in overall tone of the guitar assembly; string gauge and composition, scale length, pickup placement, woods used, fret wire type and size, potentiometer value, the particular way the guitar is wired and of course the amp used and individual player. Here we'll lay out some wiring mods that can give your offset more versatility and put the Rhythm Circuit to good use. “But wait,” you say. Also comes with original gig bag. The results of alnico 2 with poly coil wire and a typical turn count: too bright. Others dislike having a dead toggle switch position when in series mode. The last step connects the guitar's bridge ground and shield wires to the wiring harness ground. The pot values and taper, as per vintage specifications, should be: For the capacitors, use the value .033 MFD in the Lead Circuit and .022 MFD in the Rhythm Circuit. We personally build more than fifty different models of pickups for a variety of instruments. For the latter group, here’s an easy fix. And a few key changes can transform it into a great instrument with vintage-spec parts. The 1 meg adds brilliance in the last little bit from “7” to “10.”. Each set of solder lugs is referred to as a pole. Reverb Protection has you covered. © Copyright 2020 Lollar Pickups. Oops, looks like you forgot something. Fender Jazzmaster with V-Mod Pickups Sample Marc Luippold. The Fender Classic Player Series is a perfect sweet spot of vintage reissue-level attention to detail, hot rod components and affordability. We have spent countless hours listening to different pickups and guitars listening to almost indistinguishable differences and over the years a number of us have developed our ears to the point we can hear trivial details. Many players remain confused by the Jazzmaster's extra switching options, but all told, the extra controls are simple—and useful. Support independent music stores & gear makers. Fender literally wrote the book on electric basses, laying the foundation for musical innovation and evolution. This is exemplified in the playing of Kevin Shields, Nels Cline, among other devotees. There are a lot of reasons one tree can vary from another harvested in a different location. When you couple the strings to the body in a more direct way, it’s going to transfer energy from the strings more efficiently. Real Deal Style. They also produce an excellent range of tones for blues and rock n' roll as evidenced by legendary Jazzmaster® guitar players including Mickey Baker, Don Wilson, Nels Cline, J. Mascis and Thurston Moore. All it we needed to do was disregard convention and pair them with 250K pots to accommodate for the differences in the two different guitars! Jazzmasters are typically 8.2K +/– whereas a Strat would be about 6.2K wound to the same turn count. Twist the ends of the three wires together and solder them to the casing of the volume pot, as displayed in the photograph. Fender Classic Player Jazzmaster Special, RN, Black - Den Fender Classic Player Jazzmaster särskilda uppdaterar den berömda Jazzmaster modellen med flera moderna förbättringar, kombinerar allt från 60-talet med spelare efterfrågade inslag. This wide “pancake winding” is what gave t… Fender's Teles and Strats were already wildly successful with country pickers and rock 'n' rollers, but the company wanted to snipe some serious business from Gibson and its jazz clientele. That can happen when a "hot" connection inadvertently makes contact with a ground point. We tried a few more combinations but were just not getting close enough. After installing exact copies of the pickups in my ‘59 into the Classic Player model, the result was a brighter brassier tone. Though often confused with Gibson-style P-90s or "soapbar" pickups, Jazzmaster pickups are completely unique in function and tone. As you can read in Tony Bacon's "Fender Goes High-End: The Origins of the Jazzmaster," Leo wasn't about to start making arched-top jazz boxes, but he did think the Jazzmaster's pristine electronics and tonal possibilities would create some converts. Here’s a closeup of the completed rhythm circuit, followed by the final wiring harness, ready for mounting on a guitar: This wiring scheme produces an unexpected byproduct. One thing a lot of people don’t realize is that typically there is, at best, a 10% tolerance on these parts so a 500K pot could actually be 450K, some pots even vary more up to 30%. I didn’t use pedals or audio plugins. We went back to where we started with the same stock Lollar Jazzmaster pickups but swapped in 250K pots in the new Fender Classic Player Jazzmaster instead. The cutoff frequency is controlled by the capacitor and resistor values. Two humbucker pickups push this model into the future by offering new high-output tonal possibilities. Well, the jazz players didn't really bite. The bottom end was almost in the ballpark but not close enough. It's already an excellent bargain at $300. This option also has the benefit of retaining all of the Jazzmaster's sonic idiosyncrasies, which are often muted by some of the more popular modern day modifications. Thus, the stock bridge can often work quite well after a switch to a set of 11s, 12s, or 13s (not necessarily flatwound), and a good, professional setup. Excellent. Your purchases also help protect forests, including trees traditionally used to make instruments. Jazzmaster pickups are constructed similarly to a Strat pickup in many ways, but are much wider and flatter, in what's called a "pancake" wind. Sound travels at different rates through harder and softer materials. When browsing used Jazzmaster listings on Reverb, you'll often find models with the Mustang bridge already installed. Classic Player Series Colors (300)* 3-Color Sunburst, *add $50.00, (306) Black, (Polyester Finish) Body Alder Neck Maple, “C” Shape, (Polyurethane Finish) Fingerboard Rosewood, 9.5” Radius (241mm) No. Other affordable versions include Fender's Classic Series '60s Jazzmaster and Classic Player Jazzmaster. I performed all of them with a Squier Vintage Modified Jazzmaster with electronics upgraded using the mods described here and Curtis Novak pickups (JM-FAT bridge and JM-V neck). The wires are labeled A, B, and C in the photograph below. When the top Rhythm/Lead Switch is down, you're in the Lead position. Contemporary Active Jazzmaster® HH ST. Buy With Confidence. Changes from 500K to 450K are noticeable. Sonically, these physical differences make Jazzmaster pickups smoother and less mid-rangey than a P-90, while also being fatter, louder, and warmer than a typical Stratocaster pickup. The weight of the body wood is certainly heavier, and it has a plastic pickguard. Combine that with the anodized pickguard, which has an effect of warming the sound, and you get a really sweet tone you don’t get with the heavier, denser, harder alder typically used nowadays. For the pot value, stick with 1 meg, and the reverse taper is critical for the pot to provide a gradual bass roll-off. As a result, the treble got warmer, but transparency was reduced and the bass strings became way to wooly sounding. Anyone that has played this guitar comments on how full and rich it sounds. Series will sound more humbucker-like, with louder, darker, and more-pronounced mids. As it was designed for jazz guitarists, the Jazzmaster was originally intended to be strung with heavy-gauge flatwound strings. 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